#WritersCoffeeClub #WCC 2504.28 — International Workers’ Memorial Day! How important is class or caste in your writing?
While I skip using caste in my stories (I have no experience with it), class (as in aristocrat, plutocrat, midde-class, homeless) shows up relatively often. Such distinctions are tools for the characters to get what they want and weapons to protect themselves. Class is a known social contract in society. Class distinctions work solely by agreement of terms by the classist and the classless. Events like the French and Marxist revolutions happen when the agreement breaks down. Class is a great shorthand for me as an author; it allows me tap into the stereotypes the mind of the reader. For example, let's talk about a princess. Princesses, indeed any royalty, are rarely as portrayed by Disney. Having brought up the stereotype, I can place it on a pedestal… and proceed to take a sledgehammer to the marble, or polish it like the brass not gold it is.
I employ class in the background of the devil-girl's various storylines. She's a middle-class girl elevated stratospherically in station at 5 years old, then ruthlessly trained. Not realizing it's an earned thing because of her capabilities, she rebels and runs away when she can be mistaken as adult. She goes through being homeless to using her capabilities to become somebody in her own right, but she gets used a lot (because she is capable) by the highest of the high, the monied, and the oppressed. Class generates story; the structure gives me opportunity to discuss women's issues and gender in a different light.
To be clear, class is only one of many tools.Moreover, the above was an analysis of my writing. I'm not one to plot or plan out these things. I just tell the story of a person who has such attributes and watch to see how it plays out.
[Author retains copyright (c)2025 R.S.]
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